Cancer and Lucille Cliftons Poetry Essay -- Lucille Clifton poem Poet

Cancer and Lucille Clifton's Poetry Sometimes knowledge of someone’s life can be taught by stanzas. It is not always simple being honest and open to discuss past troubles, but it is important that those negative thoughts do not stay bottled inside you. Expressing these feelings can help aid in recovering. Lucille Clifton uses poetry as her therapy to bring out all the shadows in her life. From the beginning of her career with the publishing of Good News About the Earth in 1972 to the most recent addition, Mercy in 2004, we see how Clifton relies on her writing to capture her past. Lucille Clifton’s poetry traces the life of a strong woman imprisoned by loss and disease, but eventually frees herself by living each moment as if it were her last. When you open up one of Lucille Clifton’s books of poetry, you will first notice her unique form. Her poems lack capitalization, punctuation, and many of her poems reject the normal etiquette for spacing. They are often described as â€Å"spare in form, deceptively simple in language, complex in ideas, and reflective of the commonplace† (Houston). The lack in form seems to be very significant because there are some poems where capitalization and punctuation are used. In Holladay’s Wild Blessings, it is suggested that â€Å"like the Beat poets, black activist poets were reacting against the political and literary establishment†(19). There is importance in the lack of form, but it seems that Clifton was not aiming to revolutionize, but merely make a point that the way the poem is written reflects her feelings on the subject. In 1972 Clifton published Good News About the Earth, which addresses societal issues of the time, heroism, family and religion. We see the first instanc... ...eel that she has found some peace with her troubles. She no longer questions the worst, but instead stops the talking and lives her life without fear of the unknown. Works Cited Clifton, Lucille . Good News About The Earth. New York: Random House, 1972. Clifton, Lucille . Mercy. Rochester: BOA Editions, Ltd., 2004. Clifton, Lucille . The Terrible Stories. Brockport: BOA Editions, Ltd., 1996. Hartman, Stephanie. "Reading The Scar in Breast Cancer Poetry." Feminist Studies 2004. 09 Apr 2006 Holladay, Hilary. Wild Blessings: The Poetry of Lucille Clifton. Baton Rouge: Louisiana State University Press, 2004. Houston, Helen R. "About Lucille Clifton." Modern American Poetry. 1995. 09 Apr. 2006 . "The Terrible Stories." Amazon.ca: Editorial Reviews Books. 1996. Publishers Weekly. 09 Apr. 2006 . (amazon).

Characterization of The Duke of Ferrara in My Last Duchess by Robert Br

Characterization of The Duke of Ferrara in My Last Duchess by Robert Browning The Oxford English Dictionary defines the word "officious" during the 19th century as "eager to please; attentive, obliging." In the dramatic monologue, My Last Duchess by Robert Browning, this word describes a servant that is volunteering his service unnecessarily to the Duke of Ferrara’s wife. Although the speaker, the Duke of Ferrara, is speaking of this servant in a negative manner, he wishes his wife to be officious towards him; the Duke of Ferrara wishes to have total control. So, the Duke is both discouraging and discouraging officiousness, depending on whom it is directed. The Duke of Ferrara emphasizes his need for power and control over his wife, and demonstrates obvious signs of being a "control freak," whether it be purposefully or inadvertently, through the style of the dialogue, composition of the dialogue, and the treatment of the messenger that emphasizes the role of the listener. The poem gains the reader’s interest from the very beginning with this line: "That is my last Duche...

Sex without Love

Just Sex, Nothing Else â€Å"How do they do it, the ones who make love/ without love† (Olds, 1-2)? As time goes on, the value of love and intimacy in sex diminishes further and further. In the past, becoming intimate with another person had very strong meaning and was frowned upon outside of marriage. Although there are still people who value sex in its purist form and value the meaning of the action, more people desire only the pleasure that comes from sex instead of the love and connection that it creates.In â€Å"Misery and Splendor† by Robert Hass and â€Å"Sex Without Love† by Sharon Olds, both poets present the idea that having sex without love is hard to grasp and ultimately dissatisfying. Hass and Olds argue this idea through the use of imagery and tone. Poets and authors are very careful with the words they choose to be in their pieces. Authors most often paint a verbal picture for the reader that reinforces his or her underlying argument. In â€Å"Mise ry and Splendor† and â€Å"Sex Without Love,† both Hass and Olds create very vivid imagery for their readers to create certain visuals while reading.In â€Å"Misery and Splendor,† Hass describes the man and woman as â€Å"trying to become one creature/ and something will not have it† (13-14). With this description, Robert Hass explains to the reader that the two people in his poem are trying to find love in their physical intimacy, but there remains another unknown force preventing them from finding this love. Hass also paints the image of this relationship being somewhat animalistic. â€Å"So they rub against each other/ their mouths dry, then wet, then dry† (17-18).This image does not create a lovely, romantic scene like sex is most often thought to be. Instead, Hass refers that the two people become intimate in a brutish way. By doing this, Hass makes the point that the man and woman are becoming intimate in the physical manner instead of the emo tional manner. Hass ends the poem by stating that the two are â€Å"huddled against the gate of a garden/ to which they can’t admit they can never be admitted† (23-24). This image gives the reader the image that the couple is waiting for something, but will never be able to find what they are waiting for.These two people are having sex in search for love; however, by strictly becoming physically intimate, they are disappointed by never finding the love they desire. The physical qualities of sex do not come hand-in-hand with the emotional qualities that this couple desires. By making the couple wait for this love after they become intimate, Hass demonstrates that he believes the love must be present before the intimacy and sex can happen between two people.Not only does Hass use imagery in his work, Sharon Olds creates very strong imagery in â€Å"Sex Without Love† to demonstrate the same concept as Hass, which is that sex without love is very disappointing and a hard concept to understand. However, Olds uses a slightly different approach with the imagery in her poem. Throughout the poem, Sharon Olds creates imagery that is very ironic for the reader. The images she creates are meant to be beautiful actions; however, Olds represents them in quite the opposite way.They are â€Å"wet as the/ children at birth whose mothers are going to/ give them away† (6-8). When a mother gives birth to a child, it is most popularly known as the best day of the mother’s life. The occasion is a very happy and celebratory time. However, in the poem, Olds paints the picture of a mother giving her child away. She uses this image to enforce that sex without love could have repercussions that are very negative. Although sex may have physical benefits, it also comes with consequences as well. Olds also depicts these people as runners. They know they are alone/ with the road surface, the cold, the wind/ the fit of their shoes, their over-all-cardio-/ v ascular health-just factors, like the partner/ in the bed, and not the truth† (18-21). Although the people that choose to be intimate without pairing it with love know that they are alone, they do not seem to care. They are like runners; they want the physical aspects of the action but nothing else. Olds also states that the people like runners â€Å"know they are alone† (18). This depicts that these people believe they are capable of doing things on their own, without help.They see their partner as a factor that helps them achieve the goal that they desire. When these people have this viewpoint, Olds describes them as â€Å"a single body in the universe/ against its own best time† (23-24). Until these independent, do-it-yourself people realize that a single person cannot achieve love, Olds claims that the search for the love and intimacy that two individuals share remains to be a very lonely and dissatisfying time. Not only do these poets create vivid imagery, b oth Hass and Olds also form ery distinct tones throughout their poems to convey this thought that love cannot be achieved through sex alone. â€Å"Summoned by conscious recollection, she/ would be smiling, they might be in a kitchen talking/ before or after dinner† (Hass, 1-3). The first three lines set an important tone to this poem â€Å"Misery and Splendor†. In these first lines, Hass claims that the man and woman are conscious of what should be happening. They both know that if they shared love, they would be happy and having a good conversation after dinner.Instead, â€Å"they are in this other room/ the window has many small panes, and they are on a couch/ embracing† (3-5). Hass compares what they should be doing to what they are actually doing to set this yearning tone that makes the couple seem desperate. They are desperate to find this love between them; however, the love is not reachable. â€Å"The light in the room/ does not change† (11-12). Th is statement also creates a somewhat dark and negative tone. By stating that the light stays the same, it seems as though nothing else emotionally between the couple changes either.This dark and unpleasant tone that Hass depicts throughout the poem also reinforces his argument that trying to find love by performing the act of sex alone will be extremely disappointing. Although the man and woman are being intimate with one another, the disappointment still lingers throughout them. â€Å"They are tender/ with each other, afraid/ their brief, sharp cries will reconcile them to the moment/ when they fall away again† (14-17). The couple feels the intimacy in the moment, but as soon as it is over, they go back to feeling nothing.They try to hold on to feeling in the moment, but it is soon stripped away. The couple fears that the love will never be achieved, and they cling to the thought of this love they desire so much. However, because this love is not present, the couple cannot h old on to this artificial feeling that refuses to remain. While Hass conveys his idea in â€Å"Misery and Splendor† through the suggested tone, Olds also advocates her thoughts through the tone created in â€Å"Sex Without Love. † By beginning the poem with a question, Olds sets the tone in a somewhat negative way.She asks, â€Å"how do they do it, the ones who make love/ without love† (1-2). By posing this question, Olds seems baffled by the fact that people can become intimate with another person without loving that person first. Her misunderstanding and amazement of the concept also makes this idea making love without actually having love seem very skeptical and difficult to grasp. â€Å"How do they come to the/ come to the come to the God come to the/ still waters, and not love/ the one who came there with them† (8-11).This second question that Olds presents in her poem, reinforces not only her misunderstanding of these people, but also the tone she h as created. This question that Olds has posed reinforces the idea that these people do not truly love the person they are becoming intimate with. The fact that Olds is questioning this concept creates a negative connotation of this action. This negative tone that Olds uses in this poem is also seen through her metaphor of these people as runners- â€Å"They know they are alone† (18); â€Å"[they are a] single body alone in the universe/ against its own best time† (23-24).Olds implies that these â€Å"runners† are alone. This metaphor creates not only a negative tone, but also implies that these people are ultimately lonely. As Olds indicates that these people are lonely, the negative tone that she fuses through her poem becomes stronger. Love is not intended to be lonely. With these questions inserted in the poem and the implication of the person being â€Å"alone in the universe† (23), the tone of â€Å"Sex Without Love† is negative and disappoint ing, similar to the tone in â€Å"Misery and Splendor. † Both â€Å"Misery and Splendor† and â€Å"Sex Without Love† have very similar underlying meanings.Both Hass and Olds take an â€Å"old-fashioned† stance on the concept of being intimate with another person without feeling love for him or her first. Through the use of imagery and tone, these poets convey their thoughts that having sex before love will lead to disappointing, consequential repercussions. Although that is not the typical viewpoint today, these poets do pose an interesting stance on this topic. Instead of receiving media messages that having â€Å"sex friends† or â€Å"friends with benefits† is a normal occurrence, Hass and Olds both give reasons as to why this could be misleading.They both explain that love cannot be found through the act of sex alone. Love comes from an emotional place before a physical place. Both Robert Hass and Sharon Olds share this idea that the phys ical factors of sex alone will not lead to the emotional benefits of love. Works Cited Hass, Robert. â€Å"Misery and Splendor. † Class Document for English 230-008, Fall 2012. Olds, Sharon. â€Å"Sex Without Love† The Seagull Reader: Poems. Ed. Joseph Kelly. New York: W. W. Norton, 2008. 231-232. Print

Physiological Adaption Fish Essay

Adaptation of Fish to Its Environment BIO101 March 11,2013 Physiological Adaptation of Fish to Its Environment All organisms around the world are sparsely distributed depending on the environment that best suited to their modes of survival. Organisms undergo adaptation – an evolutionary process where they became well-suited to a particular. The process of adaptation happens through the natural selection, whereby nature selects those organisms that suit a certain habitat and sustain them for successive generation and ones that do not perish, hence the theme of survival for the fittest. The surviving species pass the same favorable features to their generation for their further survival after a progressive reproduction. Physiological adaptation of fish to their habitat depends on what the nature favors to suit them. Below is the illustration of the external and internal features of a fish (â€Å"Internal Salmon Anatomy Worksheet Key,† 2011): Water bodies have a diversity of conditions that enable fishes to adapt to their survival. The physiological adaptation of these animals varies to a particular habitat, and it relates to how their metabolism works to counter the changing environment. Fish metabolic activities seek to regulate their body functions in any opportune change of their environment and adapt to it. To control the body temperature, fishes undergo physiological thermoregulation. The physiological and metabolic activities regulate the body temperature and maintain it by means of countercurrent exchange system. The countercurrent exchange system is one where the hot blood in the blood vessels, as a result of muscular activities, passes along and gives up some heat to the blood in the adjacent blood vessels, which is flowing to the other parts of the body. This way fishes are able to keep warm. Fish also have the survival tactics in areas where water temperatures are on the point of freezing all the year round – like in the Antarctica region. In order to overcome the darkness due to the ice over the water surface, fish have a specialized sensory system called mechanosensory lateral line, which enables them to sense the motion of other animal in their environment and allows them to feed. However, some fish subspecies normally live in the freshwater and in seawater depending on the environmental opportunities that affects their chances to survive (WhyEvolutionIsTrue, 2012). Freshwater fish have a mechanism, which makes possible them to concentrate salt within their bodies in the environment of salt deficiency; consequently, marine fish have the capability to excrete excess salt in the hypertonic environment. The latter as well has chloride cell in their gills, which produce enzyme called gill Na+/K+ATPase that enables them to ride their plasma of excess salt build up when they drink seawater. The enzyme is applied to pump sodium out of their gills using the energy generated from the muscle. Freshwater fish have a physiological mechanism that allows them to concentrate salt and compensate their sanity environment. They achieve the balance of the body and that of the surrounding by producing very dilute, copious urine to rid them of the excess water in their body while taking ions through their gills (â€Å"Fish in Their Environments: Habitats & Adaptation,† 2010). Their adaptation favors their capability to adjust to the changing environment. The swordfish has a modified eye muscle with a concentration of mitochondrion cells. The mitochondrion organelles perform the duty of breaking down of food to obtain energy for normal eye movement and to provide heat for blood going to the brain. The physiological system of fish also operates within a fluid environment despite the change its environment. Osmoregulation in fish aims to get a stable balance of uptake and loss of water and solutes through their excretory organs. Marine fish, for example, bony fishes, are hypo-osmotic to seawater; respond to loosing water in their bodies by osmosis and gain salt by diffusion and from the food they eat. They also take up chloride ions through their skin and gills to balance osmotic condition of their environment. In conclusion, fish, like all other animals, have their mode of adaptation to survive in their habitat regarding the circumstances that occur. They will continue to reproduce passing those adaptations to their next generation. References Internal salmon anatomy worksheet key. (2011, January 14). U. S. Fish & Wildlife Service. Retrieved from http://www. fws. ov/r5crc/salmon/workbook/homework_salmon_anatomy_internal_key. htm Fish in their environments: Habitats & adaptation. (2010, March 3). Earthguide. Retrieved from http://earthguide. ucsd. edu/fishes/environment/environment_zones. html WhyEvolutionIsTrue. (2012, April 11). Parallel adaptation in fish: Same genes used over and over. Why Evolution Is True. Retrieved from http://whyevolutionistrue. wordpress. com/2012/04/11/parallel-adaptation-in-fish-same-genes-used-over-and-over/

Jane Eyre: Feminist Hero

Jane Eyre: Feminist Hero Submissive, domestic, good-tempered, quiet, agreeable and mild; these are all words that could be used to describe the ideal Victorian woman. Sexism and discrimination put up roadblocks and didn’t allow much room for educational growth for women. Education and job opportunities were limited and left most women with marriage, particularly to a wealthy man, as their best option for security. Jane Eyre broke the mold of the common Victorian woman; she was determined, stubborn, and would not be swayed from doing what she believed to be right and just. She worked her way up from orphan, to governess, to wife of a wealthy man – all without compromising her integrity, her moral standards or her pride. In a time where women had little to no say over how they lived their lives, Jane was doing just the opposite and taking control over her own destiny. It all begun when Jane left Gateshead as a young girl. She escaped her cruel aunt and cousins and ventured out on her own, leaving a semi-comfortable living situation and the familiar in pursuit of bettering herself with an education. As a result of Jane receiving an education, she was able to further her independence by taking a job as a governess at Thornfield. Though the profession of governess was considered low class and seen as little more than a servant, Jane took the opportunity. Again, Jane left the comfort of familiarity and moved on to do what she believed best. As a governess, Jane was able to make her own wages and, though she was living in someone else’s home and worked for Mr. Rochester, she wasn’t taking charity from anyone; she was working for her keep (Bronte 140). Jane was a very passionate person and, despite the social norm being that women held their tongues in front of men, Jane spoke her opinions boldly, especially to Mr. Rochester. Jane didn’t feel that stifling her voice was fair, and she refused to do it. Jane explained her views on the women of the day in the following passage: Women are supposed to be very calm generally: but women feel just as men feel; they need exercise for their faculties, and a field for their efforts as much as their brothers do; they suffer from too rigid a restraint, too absolute a stagnation, precisely as en would suffer; and it is narrow-minded in their more privileged fellow-creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags. It is thoughtless to condemn them, or laugh at them, if they seek to do more or learn more than custom has pronounced necessary for their sex (Bronte 130). When Mr. Rochester told Jane that he was going to be marrying Miss Ingram, Jane’s true feelings for Rochester came to the surface and she insisted on leaving Thornfield. ‘Do you think I can stay to become nothing to you? Do you think I am an automation? -a machine without feelings? and can you bear to have my morsel of bread snatched from my lips and my drop of living water dashed from my cup? Do you think because I am poor, obscure, plain, and little, I am soul and heartless? You think wrong! – I have as much soul as you, – and full as much heart †¦ I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh; — it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal, — as we are’ (Bronte 296)! Jane couldn’t stay at Thornfield as anything other than his significant other. She couldn’t stand the idea of watching him with someone other than her. On the day of Rochester and Jane’s wedding, the truth about Rochester’s marital status was discovered and after learning about Bertha, Jane left Thornfield and â€Å"fled from temptation† (Bronte 372). If she had stayed at Thornfield with Rochester, she would have become his mistress, and despite loving Rochester with all of her heart and wanting to be with him, she ran, knowing that being his mistress would be morally wrong. Jane couldn’t be Rochester’s mistress, even though most women would have accepted the opportunity to be with Mr. Rochester, even if only as his mistress, because it meant security, wealth, comfort, and love. Rochester put Jane’s strength and determination to the test when he begged her to stay (Bronte 371). As much as he pleaded with her, she couldn’t and wouldn’t lower herself to living a life of sin, so instead, she bravely and independently ventured out on her own with no money, no job, and no plan. Jane was constantly fighting to overcome the obstacles that stood in her way: a repressive family, a low social class standing, no wealth, and sexism. She overcame Mr. Brocklehurst’s oppression, refused St. John’s proposal, knowing that it was wrong to marry him, and only married Mr. Rochester after she received her uncle’s inheritance. As a result of inheriting the money, Jane became Rochester’s financial and social equal. Mr. Rochester was also blind at the time of their marriage, which meant that the typical roles had been reversed; the male was dependent on the female, rather than the female being dependent on the male. Rochester looked to Jane to be his eyes and to take care of him (Bronte 515). Jane didn’t do what was easy; she did what was right, moral, and what she knew to be best not only for her, but for everyone. Despite the ways of the era and the way that women were perceived, Jane wanted to be independent and strong. She spoke her mind and gave her opinion despite most people not wanting to hear it. Jane Eyre has brought inspiration to many women throughout history with her strength and independence and will continue to do so for many generations to come.

Electronic Devices Essay Example | Topics and Well Written Essays - 2750 words

Electronic Devices - Essay Example First these devices are introduced and their symbols are presented. Then a historical paragraph is written which throws light on the evolution of modern Op-amplifiers. In the subsequent sections operating modes and two applications, i.e., over temperature sensing circuit and analog to digital convertor are presented. The report is concluded with the references used and a paragraph of conclusions drawn from this study. The term operational amplifier goes all the way back to about 1943 where this name was mentioned in a paper written by john linear R. Ragazzinni with the title â€Å"Analysis of problems inverting dynamics† and also covered the work of technical aid George A. it was 1947 that the operational amplifier concepts was originally advanced. The vary first series of modular solid state operational amplifier were introduce by Burr-Brown Research corporation and G.A Philbrick Researches Inc. in 1962. The op-amp has been a workhorse of linear systems ever since. A developm ental background of the op amp begins early in the twentieth century, starting with certain fundamental beginnings. Of these, there were two key inventions very early in the century. The first was not an amplifier, but a two-element vacuum-tube-based rectifier. The input stage is a differential amplifier. The differential amplifier used as an input stage provides differential inputs and a frequency response down to d.c. The first was not an amplifier, but a two-element vacuum-tube-based rectifier.

EFEECTS OF CGI (COMPUTER GENERATED IMAGES) IN THE MEDIA INDUSTRY Essay

EFEECTS OF CGI (COMPUTER GENERATED IMAGES) IN THE MEDIA INDUSTRY - Essay Example Computer generated images in digital media has also acted as a source of information, which has encouraged a participatory culture. This is by ensuring that the political process is more democratic and less elitist (Bennett and Strange, 2011). This paper aims at finding out how computer generated images impact on the media. Political campaigns usually capitalize on new means of communication in order to reach voters. This was evident in the 2008 U.S presidential elections whereby candidates used computer generated images and internet technologies to conduct their campaigns. Many political analysts liken the way President Obama used the internet in 2008 presidential campaigns to President Kennedys first use of television in presidential campaigns in 1960 (Bennett and Strange, 2011). Utilization of new media in political processes has mostly been viewed as a tool of reaching voters, especially the youth who are always reluctant to turn out and vote. Some digital media analysts have maintained that the effect of social sites like Facebook on political behavior of young voters is still largely unknown The proportion of candidates using digital media for electoral processes has been increasing since 1996 when the internet was initially used in the U.S during campaigns, but the use was extremely limited. The first substantial use of the internet for political campaigns occurred in 2000 during the presidential campaigns of Bush and Gore; these campaigns had sophisticated websites (Bennett and Strange, 2011). By 2008, features of digital media were more advanced and widely used in political processes than in previous years. Political analysts observe that the failure to include new media in campaign strategies can adversely affect campaigns. This is because social media has become relevant and cost effective tool for political mobilization and support. For instance, candidates who fail to utilize digital